Impact report: showing what changed, not just what you did
An impact report tells funders and supporters what changed because of your work. How to structure one, which numbers belong in it, and how to avoid the activity-list trap.
Most slide templates look great empty and fall apart once real content goes in. Here is what to check before you commit a deck to one — and how to fix a template you are stuck with.
Slide templates are downloaded for the cover and abandoned by slide nine. The cover is designed with three words on it; slide nine has a table, two logos and a paragraph of caveats, and the template has no layout for that. What follows is an hour of nudging text boxes — which is exactly the hour the template was supposed to save.
Choosing well takes two minutes if you know what to look for, and what to look for is not the cover.
The practical test: paste your longest real slide into the template before deciding. If the title wraps to three lines and collides with the body, no amount of polish on the cover will save the deck.
A working deck needs about six layouts: a cover, a section divider, a headline with body, a two-column comparison, a full-bleed image or chart, and a closing slide with the ask. Anything beyond that tends to be decoration you will use once.
The discipline that makes a template pay off is using its layouts rather than free-placing boxes on a blank slide. A free-placed element is invisible to the template, so when the theme changes — a new colour, a new font — it stays behind, and the deck stops looking like itself.
Ettex Show works this way: pitch-deck, report and lesson templates with ready layouts, a slide editor with drag-and-drop layouts, images, shapes and charts, one-click theme and font changes across every slide, a slide outline for reordering and navigating the deck structurally, speaker notes visible only to you, rehearsal timings with auto-advance, comments and @mentions for feedback, version history to restore any earlier draft, and export to PDF or PPTX so the deck opens in any office suite. Presenting works offline, which matters in the rooms where it matters.
Templates fix the mechanics, not the argument. Once the type scale and the layouts are settled, the remaining work is presentation design in the narrow sense — deciding what each slide is for, and cutting the ones that exist only because the template had a placeholder.
One, with about six layouts. Multiple templates in circulation is how a company ends up with four versions of its own brand.
Layouts and content usually survive an export to PPTX; fonts, animations and app-specific effects often do not. Test one deck end to end before standardising.
Only if the licence says so. Many are free for personal use, and the embedded images may carry separate terms.
Inconsistent title positions, more than three type sizes, low-contrast text on images, and charts styled differently from the rest of the deck.
PDF for anything you are not going to present live — it preserves fonts and layout. Send the editable file only when the recipient needs to change it.
A good slide template is one you stop noticing: it holds your longest slide, keeps the type consistent, and lets a theme change ripple through the whole deck. Judge it on slide nine, not on the cover.
An impact report tells funders and supporters what changed because of your work. How to structure one, which numbers belong in it, and how to avoid the activity-list trap.
An investor pitch deck is not a description of your company. It is an argument that this is a large opportunity, that you are the people to take it, and that the next amount of money buys a specific, checkable result.
The hardest part of a slide deck is not designing it. It is deciding what the deck is for, who is in the room, and which three things they must remember — questions that get answered in a text editor, not a slide editor.